Casting Shadows  installation photography by EG Schempf
  Casting Shadows,  installation view
 James Woodfill,  WAYFINDERS (#signalrichenvironment)  (detail) 2017, seven elements mounted on adjustable industrial speaker stands acrylic and gesso on plywood, sign rotators, LED light fixtures, theatrical gels, powered speakers, iPad, Fafisa orga
 Logan Hamilton Acton and Marie Bannerot McInerney
 Marie Bannerot McInerney,  That Which Has Become Known (South),  2017 concrete, cotton, paint, iron, gold, silver, 39° 2' 58.1964'' N, 94° 35' 8.556'' W, light (south), and time
 Logan Hamilton Acton,  I FLOW AWAY,  2017 wood, resin, paint / James Woodfill,  WAYFINDERS (#signalrichenvironment)  (detail)
 James Woodfill,  WAYFINDERS (#signalrichenvironment),  2017 one element mounted on a Toolpro construction stand, paint on plywood, laminated MDF, LED light fixture, theatrical gel, and clamp
 Logan Hamilton Acton and James Woodfill
 James Woodfill / Caleb Taylor,  conSTRUCT 03 , 05, 07, 2017 décollage of layered inkjet prints
 James Woodfill,  WAYFINDERS (#signalrichenvironment)  (detail) 2017, seven elements mounted on adjustable industrial speaker stands acrylic and gesso on plywood, sign rotators, LED light fixtures, theatrical gels, powered speakers, iPad, Fafisa orga
 Caleb Taylor, Jill Downen, Liz Smith
 Liz Smith,  Daily, for the day  (detail), 2017 cut paper and mixed media
 Caleb Taylor and Liz Smith
 Cary Esser, Liz Smith, and Marie Bannerot McInerney
 Marie Bannerot McInerney,  That Which Has Become Known (North),  2017 concrete, cotton, paint, iron, gold, silver, 39° 2' 58.1964'' N, 94° 35' 8.556'' W, light (north), and time
 Marie Bannerot McInerney,  That Which Has Become Known (North)  (detail)
 Jill Downen and Liz Smith
 Jill Downen and Liz Smith
 Jill Downen,  Air and Flesh,  2017 plaster, steel, polystyrene, latex, and acrylic
 Jill Downen,  Air and Flesh  (detail)
 Jill Downen,  Air and Flesh  (detail)
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 Natalie Spicker, Patricia Bordallo Dibilidox, Liz Smith, Marie Bannerot McInerney
 Cary Esser, Natalie Spicker, Patricia Bordallo Dibilidox
 Cary Esser,  Parfleche (b51, (b52), (b53), (b54), (b55),  2016 earthenware and glaze
 Patricia Bordallo Dibilidox,  Untitled (Balloons III),  2017 latex, vinyl, string, metal
 Natalie Spicker,  Waffle Fries (warp and woof it down),  2017 raw silk dyed with weld, polyfoam
 Il Sung Na,  Butt Lamp,  2014 white stoneware, glaze (stain, blue, and black), code, and socket
 Cary Esser, Jarrett Mellenbruch, Damien Spader
 Cary Esser,  Parfleche (w1), (w2), (w3),  2017 earthenware and glaze
 Cary Esser / Jill Downen,  Architectural Bone,  2009 plaster and lumber
 Jarrett Mellenbruch / Damien Spader,  Shadow Panels,  2017 steel
 Damien Spader,  Shadow Panels (detail)
 Damien Spader,  Shadow Panels (detail)
 Jarret Mellenbruch,  Wayfinding,  2017 picnic blanket, tripod, PLA plastic honeycomb holder, honeycomb, Rare Earth magnets, audio recording, headphones, and carrying case containing honeybee hunting supplies: bee box (ash, aluminum, screen, beeswax)
 Jarrett Mellenbruch, Damien Spader, Pauline Verbeek-Cowart & Dwight Frizzell
 Pauline Verbeek-Cowart & Dwight Frizzell,  Åakhu,  2015-17 Jacquard-woven textile in combined cotton and lurex with dual digital projection and 4-channel sound Courtesy of the artists
 Jill Downen, Pauline Verbeek-Cowart & Dwight Frizzell
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